The Rubaboo Arts Festival isn’t just any festival — it’s a cultural stew of creativity that has been simmering for 15 years.
The festival, which started in 2009 as a modest gathering, has since evolved into a multidisciplinary festival celebrating Indigenous creativity. “Rubaboo is a Nêhiyawêwin word referring to a stew trappers would make in the darkest of winter, using whatever they had on hand,” says executive director Christine Sokaymoh Frederick. “For us, the arts are the food that feeds our spirits. It’s a delicious mixture of mind, body and spirit in the arts, meant to communicate our humanity.”
This year’s lineup is a bona fide feast of talent. Frederick highlights some standout performances, including Silly Billy by Arik Pipestem, a dance piece about a rare white buffalo who dreams of becoming a unicorn. Another must-see event is the fusion experience Our Young Ancestors honouring three beloved artists — Troy Emery Twigg, Taran J. Kootenhayoo and Bishop Pipestem — who have passed on.
As Rubaboo celebrates its 15th anniversary, Frederick has big dreams for the future. “I’d love to see us have a dedicated venue and more committed funds,” she says. “We’re working on developing an international Indigenous touring network with Australia, New Zealand and Mexico. Bringing in more touring groups and high-end performances would be outstanding.”
Rubaboo, which runs July 19 to 28, isn’t just about showcasing talent; it’s about community, dialogue, and honouring traditions. With events like Talk Treaty to Me, a play using dialogue and puppetry to explore treaty relationships, and a dance party-themed You’re Loved, the festival is a celebration of culture, resilience and unity.
