Wang found his way to Ballet Edmonton in 2018 after dancing with Ballet BC for seven years and starting his own company, Wen Wei Dance, in 2003. At first, Wang wasn’t sure if he was right for the artistic director position at Ballet Edmonton, but he says success comes from never being comfort-able in the work you’re doing, so he took the chance.
Sheri Somerville, executive director at Ballet Edmonton, knew as soon as she saw Wang’s work that he was the only person who could change the dynamic of the company.
“When I came on board [in 2015], I knew that we needed a leader in contemporary ballet who was well known, had a lot of relationships in that form, and I knew we needed to strengthen the organization,” says Somerville.
The announcement of Wang’s takeover followed the company’s name change from Citie Ballet to a name that is recognizable and reminiscent of companies like Ballet BC. It was a defining moment for the oldest and only contemporary ballet company in the city, and the start of a new era.
“Toronto and Montreal have more contemporary dance [companies], and Edmonton has so many theatre companies,” says Wang. “But I believe Edmonton has lots of opportunities. It’s a large city and it needs to have its own company. That’s why I’m here.”
When Wang started, he had two main goals for the company: apply for grants, and employ dancers. He was shocked to discover that Ballet Edmonton wasn’t receiving any government funding, which allows companies to plan ahead and put them on the map nationally.
Next, he employed eight dancers who would usually be contract dancers, so they would have benefits and financial security. Nationally known companies like the National Ballet of Canada are known to hire dancers, however, small companies like Ballet Edmonton typically employ dancers under contract.
“That’s another big thing for a small company to be able to do,” says Wang. “When people come to Edmonton, they will feel at home and they’ll feel taken care of.”