“In Edmonton, there is a strong balloon community. My friend Glen [LaValley] runs balloon jams like once a month, where people come along and learn to make balloons and play with balloons. There’s also some other great balloon artists here who do educational events for people in the city who want to learn.
“The perception of balloons five years ago was that you can’t take them seriously. But two years ago, I made a balloon for the Kaleido [Family Arts] Festival – I made Starry Night, and that balloon got featured on the Van Gogh Museum website. My work, now, is seen all over the world. … No one debates that it’s art now. Balloons are taking over this life where no longer are they the dog of the art world. They’re a hugely vibrant art form that’s emerging, and that’s wonderful.
“What I really love is the combination of having a large-scale sculpture – say, [the Iron Throne from] Game of Thrones – in behind me, and then being able to hand out small balloons to kids, so they get something that’s theirs.
“We only have a limited span of time to work with balloons, because when you’re playing with rubber [over the years] , it gets painful [on the hands] . There’s all sort of techniques now where you’ve got balloons inside balloons, and you’re trying to push another bit through – even just making dogs, you can get repetitive strain.
“If you’re looking to get into balloon art, it’s very easy to do that now with the advent of the Internet and how strong that is, YouTube and things like that. I would suggest, though, that you get good quality equipment. If you get cheap balloons or the ones that come in those sets, they’re likely to pop pretty easily … and it’s likely to discourage you. If you buy good quality, you’re going to get a lot more out of it. And that’s going to help you as an artist, help you learn.”