In 1938, the Roxy Theatre, designed by prominent Edmonton architect William G. Blakely, opened its doors under the soon-to-be-iconic vertical “ROXY” sign. That sign remained even after the theatre burned down in 2015.
Earlier this year, the rebuilt theatre with a brand-new sign opened its doors to a spring gala, a radical retelling of Shakespeare and some Fringe shows. But this week, Theatre Network, which purchased the theatre in 1989, opened the first official season in the new space. And after seven years operating elsewhere, Artistic Director Bradley Moss wanted to start season 48 by making full use of the building.
“When we started the design process, the Morris Foundation folks, who had been donating pretty consistently to us and supporting us, met with us and said when you build the new building, you’re going to need programs and resources to populate it. And their focus is mental health and addictions, so they wanted to investigate a way to develop shows or stories about that. Through that, we parked a bunch of money over at the Edmonton Community Foundation and created the Morris Foundation/Theatre Network Commissioning Fund, and this is the first play that’s gone through that whole cycle, from commissioning to development to now a premiere on the stage.”
The play is The Innocence of Trees, by Eugene Stickland. He’s worked with Moss on plays before, but in 2019 the pair had their first lunch in a few years, during which Stickland brought up Canadian painter Agnes Martin, and how much he loves her art. Moss then mentioned the purpose of the newly minted Morris fund, and Stickland replied that Martin had once checked herself into a hospital for schizophrenia. “And we both went, Oh, we think we’ve got the play we want to work on.”
What followed was a mountain of research, Moss says, including Stickland trying his hand at replicating Martin’s abstract works that consist mostly of inhumanly drawn straight lines. “He would send me postcards saying, ‘To make those grids, it’s a lot harder than you think — and I’m doing it with a ruler!”