Country music in Alberta flows like a river from crowded bars, small town rodeos and souped-up pickup trucks. And country music, like Alberta, came late to the diversity conversation.
In 1992, k.d. lang came out as a lesbian in the pages of The Advocate. She became a reluctant but polarizing flashpoint, bringing the international gaze to this western outpost with her 1993 win at the American Music Awards as Favorite Adult Contemporary New Artist, followed by the refusal of premier Ralph Klein’s Progressive Conservative government to congratulate her — ostensibly due to her vegetarian awareness campaign. Klein eventually did congratulate k.d. on her next win — the Grammys — but the PC’s clumsy gesture reminded queer Albertans that we couldn’t assume there’d be a place at the table for us, even if we did everything right and succeeded beyond anyone’s wildest dreams.
It’s easy to forget how these moments shook the foundational assumptions in which so much traditional music was steeped.
As the industry of country music finally faces its own maturity, it is at last making room for an element that has often been missing — diversity of voice. These queer Albertans are rising to answer that call.
These four conversations began with the same question: How did music find you? The answers — church, family — make it seem that their musical journeys aren’t really that queer after all.
The music found D’orjay in a small prairie town called Irma, Alberta, population 521.
“Music was ingrained in my family. My grandmother was a multi-instrumentalist with six brothers and sisters. They were raised going to church and learning how to sing seven-part harmonies.”
As a young girl, D’orjay wasn’t really a fan of church, but she loved the musical elements. In high school she dabbled in performance, but struggled with intense stagefright.
In her 20s, when she reconnected with her father’s side of the family in New York, and her stepmom, “a very Christian lady, always wanted me to come to church with her. That’s when I got into hanging out at a Black church, which is a whole different ‘gospel.’ The first time I felt it in my body was when I went to Black church. I was like, Hey wait a minute — this feels different somehow.”