The human brain is amazing, mysterious, and by far the most complex thing (that human brains know of) in the universe. It’s also incredibly beautiful, but unless we somehow evolve MRI vision, most of us will never know it — unless we pick up a book.
University of Alberta Pharmacology Professor and Neuroscience and Mental Health Institute (NMHI) member Simonetta Sipione studies the causes of neurodegeneration in Huntington’s disease. Her U of A bio page is full of words and terms like gangliosides, glycolipids and polyglutamine stretch, followed by an impressive list of published articles that non-academics will most likely never read.
The problem — besides the inherent difficulty of studying the degeneration of the most complex thing in the universe — is that she’s on a small mental island, sharing discoveries of the brain’s wonders and disorders with only her students and colleagues while the rest of us swim on by. Her focus is on helping people, but after so many years of seeing such intricate and concealed beauty, the urge to share it overwhelms.
“Within the Neuroscience and Mental Health Institute, we wanted to showcase research work and images of the brain that are so beautiful that they almost resemble art,” says Sipione. “And we thought that in order to connect with the lay public, and people with neurological and mental health problems, we could put together images from research, as well as artistic renderings of brains with neurological and mental disorders, that could help people relate to neuroscience and people living with mental health and neurological problems.”
To reach the public, Sipione first reached out (through NMHI Director Doug Zochodne) to Assistant Professor of Art Marilène Oliver, who included Assistant Professor in Design Studies Gillian Harvey (who designed the book), and Professor of French and Media Studies Daniel Laforest (who provided the text), all of whom Oliver had worked with on a previous project. During the pandemic’s early days, the group discussed ideas over email, and went to work building up a collection of images for what would become a gallery (which ran this fall), and book (available now), both titled Connections.