How would you describe your personal style?
Probably contemporary Bohemian, because I’m so different when I get out of the office. The suit goes back in the closet and it’s T-shirts, jeans and hats. I just change completely.
How has your style changed in recent years?
My tastes for things in life have changed through the years, and my fashion has run parallel to these changes. Good, quality clothing endures the test of time.
How do you balance your personal style with your office style and inject some of that personality into it?
I like print shirts, coloured shirts. I love knit ties when I do wear ties – and bright ties. I love my bright socks. I always have a collection of very bright socks.
In the summertime, I love my shorts and my hats and scarves and T-shirts. That’s all I need.
How has your background working in stores like Henry Singer influenced your style?
I think I’ve had the opportunity to, because I like fashion so much and I was brought up in fashion – especially in North Battleford, it was a family store and we worked in the store and participated – and I always look at GQ and Sharp and the detail books and whatnot. Because I worked at Henry Singer, I understand how to put things together. But I do it for myself; I don’t do it because other people think it looks nice. When I shop, I shop on my own. If I see something I buy it because I like it – it’s got to look good right the first time. I don’t want to grow into it.
How do you feel about accessories?
I think it’s a very important part of an outfit. It all has to blend together and, if you have one piece that doesn’t fit with the others, you lose that balance.
Where do you like to shop?
I love Henry Singer for my suits, and when Val Berg’s was downtown I liked them. I get a few of my hats from them, and Borsalino hats. And Simons, I love.
What are your style pet peeves?
What I don’t like is guys who don’t have shiny shoes. They’ll have a beautiful suit and their shoes are old and broken down or not polished, and I think that just kills the whole flow of the ensemble.