Some folks have summer cabins or camp-away retreats for their own little private getaways, but when Globe and Mail reporter Jana Pruden and her husband need a place to unwind and enjoy the fresh air, the couple’s retreat is no further than their backyard. It’s there that they built what – for them – serves as a quiet room, a workspace and a little slice of outdoorsy solitude no more than 20 steps from their back door.
“It’s our nap shack,” says Pruden, referring to the bright red building tucked away in the southeast corner of her yard. From the outside, the building could be mistaken for an oversized toolshed, save for sliding windows with bright white frames on three of the four walls and a prominent white door more suited to a home than any backyard shed.
The shack’s design is fairly simple: a square room, an angled roof, some windows, a bench and plenty of pillows. But, for Pruden, the shack was a reprieve from her daily life before it was even built. “Really, we built it because I designed it,” says Pruden, who last summer looked to take on a household project that didn’t revolve around her vocation. “I originally thought about building a gazebo,” she says, “one that would be screened in. But I decided that, if I were to write outside, I wanted a space where papers wouldn’t be blowing around in the wind.” Canvas carpet from Urban Outfitters; pillows custom-made by homeowner; stool purchased at a garage sale; windows from Architectural Clearinghouse
Pruden imagined the shack as a cabin nestled in the woods and, with a little visual trickery, she had her own piece of natural tranquility at home. Within about a month, Pruden created a cardboard scale model of the mini-cabin, picked out reclaimed windows and doors from Architectural Clearinghouse and worked with a handyman to build, paint and finish the shack.
The visual trickery comes from window placement. The windows are to the left and right of the cushioned bench. They frame a picturesque view of trees and shrubbery, while the aesthetic of the shack, from the fiery red exterior to the plywood-lined interior, echoes the living room floor of Pruden’s home, making it a thematically similar space.