Between the register and inventory, the City has identified more than 1,100 heritage sites, but only around 165 are from the 1950s and ’60s. Few of those, however, are protected with designation.
A 2019 heritage report commissioned by the city identifies 38 sites of historical value in four west-end neighbourhoods alone: Britannia Youngstown, Canora, Glenwood and West Jasper Place. The report notes that the four neighbourhoods originally had 55 sites, but the “vast majority” of heritage sites identified in the mid to late 1970s, as part of the on-going Provincial Heritage Survey, have since been demolished.
“It’s hard to know” how many homes and other buildings of this vintage are being lost, says David Johnston, principal heritage planner for the city. What is known is that around 60 properties on the unprotected inventory have been demolished since 2015.
Each time “it’s a sense of loss,” Johnston says. “It’s like a small piece of Edmonton’s soul has been plucked out and discarded.” Heritage structures face many threats, including redevelopment pressure for houses and high maintenance and renovation costs. Even well-known landmarks like the CN Tower aren’t on the protected list, though current owner Strategic Group is committed to a “thriving modern business tower within a historically significant facade,” according to CEO Riaz Mamdani. It appears safe, for now, from the fate that saw many of Edmonton’s modern buildings crushed under the backhoe.
Johnston shudders at the mention of Edmonton’s 1957 City Hall, torn down in 1989. It was a daring, cutting edge mid-century modern design. “Other cities, at the very least, have their original city hall. We don’t have any of ours. They’ve knocked every single one of them down,” he says.
Edmonton-raised and now Vancouver-based architecture critic Trevor Boddy once published the first local history of modernism, Modern Architecture in Alberta, in which he praises mid-century creations like the 1957 Edmonton City Hall and the 1960s Edmonton Art Gallery. In a postscript to the 2007 exhibition catalogue Capital Modern, titled “In Memoriam,” he notes how Edmonton has destroyed its best building from every decade from the 1930s through to the 1960s, including both of these Churchill Square structures. And in his introduction to Capital Modern, titled “EDMODERNTOWN”, he theorizes Edmonton’s boom-and-bust economy is behind its drive to knock down reminders of the bad times that come with the busts.