Kalita also plans to open a new hotel, tentatively named Corduroy Suites, in Scona Garage within the next year.
Despite the fact that the hotel industry is in a significant period of recovery, Kalita is optimistic about plans for the two hotels. “Union Bank Inn and Corduroy Suites are small — 40 and 20 units respectively — so we can be more agile, do interesting things, and offer a creative hotel experience that really speaks to what Edmonton is,” Kalita says. “I think there is a market for something outside of the norm as travellers return. I think it’s a very good time for these boutique options to happen.”
Kalita says the Union Bank Inn will be revitalized with “tasteful upgrades” to the furniture, decor and overall appearance. “It will still be a very classic, but slightly more contemporary, style of accommodation,” Kalita says. The hotel will feature a new bar and restaurant, local art, local coffee and toiletries in the rooms, and a retail component.
“We’re hoping this hotel can contribute to telling the story of Edmonton, and regardless of where people are visiting from, they can see what we have to offer,” Kalita says. “Locals will be the main audience for the updated food and beverage offerings. We want to position ourselves as something different from hotels that are currently out there. The goal is to make this a space that is just as popular with locals as it is with people travelling to Edmonton.”
The new all-suite hotel in the Scona Garage building will likewise focus on local suppliers and art. “We’re working with as many local designers as we can fit in,” Kalita says. “We’re working with different groups on art program activa-tions, projections, lighting, and of course to supply in-room products. It will have a comfortable, casual luxury vibe with vintage early ’80s, late ’70s aesthetics,” Kalita says. “It will be a little less formal than Union Bank Inn and a different hotel experience, but at the same time really showcase what is unique about Edmonton in a way that doesn’t rely on stereotypical imagery.”
This article appears in the June 2022 issue of Edify