Tim Bowling doesn’t believe that “art” and “entertainment” are mutually exclusive terms.
Bowling is the city’s most decorated poet; he’s been twice nominated for the Governor General’s literary award, won the Edmonton Book Prize and won two Canadian Authors Association Awards for poetry. Bowling’s latest poetry collection, The Duende of Tetherball, was released in late autumn and what you’ll find are poems that are modern, engaging and entertaining. From observations on parenting to an epic piece on a buck’s head flying through a car windshield, Bowling’s work is well worth visiting and revisiting.
“I hope my poetry isn’t simple, but I certainly don’t want it to be inaccessible to anyone with a reasonable level of intelligence,” says Bowling. “I believe that it’s entertainment. I believe it can be an elevated art form, but it has to be enjoyable.”
Accessibility. Enjoyment. These are key words. Because, for many, as we age, we regard poetry as something of a literary challenge. We begin to think of poetry as an abstract form that’s difficult to grasp.
Think about it; for most of us, the first experiences we have with literature are through verse. Many early readers are written in rhyme. It’s natural for kids to play with rhyming patterns. We learn to read and write through verse, repetition and rhyme. “There is nothing more natural than using language,” Bowling says.
Of course, the verse takes on new life when it’s read out loud. When Bowling began publishing his poetry, he wasn’t comfortable reading them out loud to an audience. But, that’s changed over time. When he reads now, he likes to mix in work from other poets, as well.
“Poetry exists in a curious world,” he says. “It’s an aural art form, but it exists on the printed page.
“You learn a lot about them by reading them out loud. I was a lousy reader when I started. I was an awkward reader. But it’s like swimming, you get better by getting into the pool.”